PRESS: L’œil De La Photography


My gallerist – Roger Szmulewicz of Gallery Fifty One – shares the story of how we met, and how we started to show my work. One of the best decisions of my life was walking into his gallery with a box of gelatin silver prints. Read the article on the L’œil De La Photography site, in English and in French.

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FAIR: Paris Photo 2016


My work will be on display during Paris Photo on Gallery Fifty One‘s booth B34. Continue Reading →

PRESS: Rekto-Verso

wrote an article about my work for Rekto Verso, a Belgian magazine for culture and critique. Continue Reading →



Head over to for a six question interview about my work and about what inspires me.

July 14: celebrating 2 years at Gallery FIFTY ONE

Exactly 2 years ago, I took this little wooden box filled with gelatin silver prints to Roger Szmulewicz at Gallery FIFTY ONE… Continue Reading →

A Palm Tree Is A Palm Tree Is A Palm Tree (Miami Is Fake), 2015

A Palm Tree Is A Palm Tree Is A Palm Tree (Miami Is Fake), 2015 Continue Reading →

NEW: Multiples of ‘A Palm Tree Is A Palm Tree Is A Palm Tree’


I’m happy that Gallery FIFTY ONE included my work in their 51 Edition series. My edition consists of 51 compositions of two fiber based silver gelatin prints.
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NEW BOOK: I Dreamt An Island

I Dreamt An Island is my newest book. Published by Gallery FIFTY ONE, I Dreamt An Island offers the perfect introduction to my work!
You can buy it online at Gallery Fifty One’s shop.

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Midnight In The Garden Of Good And Evil

I’m working on new compositions that will be part of my first solo expo at Gallery Fifty One in February 2016. Continue Reading →

DISCOVER: A Palm Tree Series


A Palm Tree is a Palm Tree is a Palm Tree is an ongoing investigation into the mimetic characteristics of photography.

See the full Palm Tree series here. Continue Reading →

SERIES: The World is Too Much With Us


The ongoing series The World is Too Much With Us  deals with photography’s intrinsic  possibility to make endless amounts of copies of one image. What happens when these copies are brought together? What happens when the photographer refuses to make the perfect print, but assumes that all prints are equal? Check the complete series here.

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Follow me on instagram for more photography and assorted silliness.